Light summer-wool dresses are precisely topstitched; oversized knits are layered over striped cotton artist shirts; sculptural lightweight tweed outerwear is left with loosely frayed edges. Softly engineered bias-cut separates and precise tailoring are countered by fluid silk chiffons and polished silks, creating a continuous interplay between structure and movement, restraint and spontaneity.

Painterly tweeds, romantic field daisies and layers of fraying and transparency bring an expressive quality to the collection, while Wickstead's signature precision remains at its core. Hand-finished feather embellishment and painterly trims sit alongside delicate picot edging, bringing texture and substance without excess.

Colour is equally instinctive yet considered. Powder pink, pale blue, lemon and lime introduce an optimistic lightness, grounded by chocolate, charcoal and black. Florals and organic motifs reference Krasner's lifelong relationship with the natural world, while the field daisy becomes a softer, more personal expression of the collection's artistic starting point.

Beyond Krasner's work, Wickstead was drawn to the attitude with which she lived and created: independent, curious and continually evolving.

King has an extraordinary understanding of how to create a sense of occasion and his restaurants feel timeless; there is a respect for classicism, but it is always interpreted for contemporary life. There is longevity in that approach - rather than simply responding to what is fashionable at that particular moment. Classicism in the modern world is something Jeremy does brilliantly with hospitality and something Emilia Wickstead continually explores through clothing.